HIGHLIGHTS, WINNERS & VIDEOS: September 2021 ANIMATION FEEDBACK Film Festival

Showcase of the best SHORT FILMS in the world today.

AUDIENCE AWARD WINNERS:
Best Film: ON / OFF
Best Animation Film: UNWOUND
Best Cinematography: THE PARADOX
Best Performances: VINYL BEGINNING
Best Direction: FLY
Best Sound & Music: CORNERS

Theme of night: Life

Watch the Audience FEEDBACK Videos:

FLY, USA, Experimental
WELCOME HOME, 3min., Canada, Sci-Fi
THE PARADOX, 1min., Macedonia, Experimental
CORNERS, 3min., USA, Drama/Music
THE PROTEST PROJECT, 4min., USA, Video
VINYL BEGINNING, 4min., USA, Drama
IDEAL DATING WITH CONDOM, 1min., Germany, Animation
A JOURNEY TO THE MOON, 3min., USA, Animation
PAINTING THE WORLD, 5min., USA, Animation
THE FLOWER MONSTER: NEED PINWHEEL, 2min., Germany, Animation
UNWOUND, 5min, UK, Animation
ON / OFF, 7min., USA, Animation
INK, 3min., USA, Animation

HIGHLIGHTS, WINNERS & VIDEOS: October 2021 ANIMATION FEEDBACK Film Festival

Showcase of the best SHORT FILMS in the world today.

AUDIENCE AWARD WINNERS:
Best Film: TRACE OF A BUTTERFLY
Best Animation: PARALLELISM
Best Direction: GRUF AND ME
Best Sound & Music: THANKS AGAIN!

Theme of night: Life

Watch the Audience FEEDBACK Videos:

festival posterDOWN WITH GOLIATH, 3min., Animation


festival posterTHANKS AGAIN!, 5min., Japan, Animation


festival posterMEMOIRS OF A MOZLEM, 5min., USA, Animation


festival posterSYMBIONIC, 6min., USA, Animation


festival posterTRACE OF A BUTTERFLY, 11min., China, Animation


festival posterGRUF AND ME, 9min., Israal, Live Action/Animation


festival posterPOLAR BEAR BEARS BOREDOM, 7min., Japan, Animation


festival posterPARALLELISM, 15min., Italy, Experimental Animation


Director BIO: Koji Yamamura

Born in 1964, Koji started working on animated films as an amateur, at the age of 13. During the 1990s, he explored various styles and techniques while working mainly on films for children. Nominated at the Oscars for Best Animated Short, “Mt. Head” marked a turning point, leading him to join the world’s most renowned animation filmmakers. His major works since include “The Old Crocodile” (2005), “Franz Kafka’s A Country Doctor” (2007) and “Muybridge’s Strings” (2011). His films were awarded with more than 100 prizes, including Grand Prizes at the four most important international animation film festivals: Annecy, Zagreb, Ottawa and Hiroshima. He has been part of many international juries, and has held numerous retrospective screenings around the world. He has been selected as the 2 place at 25 top short animated films directors over the last 25 years in 2021 at Animac, the International Animation Showcase of Catalonia. He was rewarded with the National Medal with Purple Ribbon in 2019.
Member of the Academy of Motion Picture Arts and Sciences. Professor at the Tokyo University of the Arts.

Director Statement

This project is inspired with the Japanese picture scroll in the 12 to 13 century: Bird and Beast Character Caricature. Marine animals spread out in world ocean. Using the short rhythm of the poem, you will enjoy the various sea animals’ thoughts and life. This rhyme verse in both English and Japanese at same means and this film is continued in one scene and one cut for 7 minutes.

Short Film: POLAR BEAR BEARS BOREDOM, 7min., Japan, Animation


A polar bear who is very bored with various marine animals in the deep blue sea.
It continues an ancient tradition of “Caricatures of Frolicking animals” in scroll painting-style; this time, “Frolicking Sea Animals,” in animation form, with a play on Japanese and English language word-plays: “Hokyoku-Guma Suggoku Hima. / Polar bear bears boredom”, “Kawauso Kawaisou. / Other otter, poor otter,” etc.

Project Links

Director BIO: Yifan Jiang (THANKS AGAIN!)

Born in China in 1995. Received bachelor’s degree from Jiangnan University,School of Digital Media,Department of animation in 2018. From April 2020, Studying animation in the master course of Kyoto University of the Arts, Department of Graphic Design.

Director Statement

In the Showa era, it was common to see vending machine corners offering udon, soba, burgers, etc. in the city. Even late at night, you could eat hot food. At a time when Japan’s economy was growing at a rapid pace, convenience and abundance were sought after, the design of the vending machines was full of warmth and sophistication, they formed a peaceful daily life for people.

After the 1990s, with the spread of 24-hour convenience stores, the corner of vending machines, which had lost its customer base, began to diminish. With that, the manufacturing of food vending machines came to an end. Since the 21st century, society has developed at a high speed, it is a miracle that there are still a few vending machine corners in existence today. I went to the corner that was still open on the outskirts of the city I was in, and there was no longer the lively scene of the past, only the lonely figure of the shopkeeper maintaining the vending machine.

“It would be nice if that kind of everyday scenery could last forever.” By gazing into the quietness of the vending machine corner, I wanted to create a separate space that seemed to be placed in the world we were living in. The nostalgic and peaceful time is condensed in this endless image.

Short Film: DOWN WITH GOLIATH, 3min., Animation

In this animated short film against the backdrop of a 1990’s Chicago Southside, an adolescent (nameless) black girl is educated by her southern grandmother on the sacrifices that it takes to survive as a woman in their violent, crack infused environment. With her grandmother’s mobster-esque support and a sawed-off rifle in a Malboro duffle bag, she emerges victorious from the fight of her life, only to realize that the world was no longer a suitable opponent for a gladiator like her. Everything had become “Down With Goliath.”