September 2017 ANIMATION Stories, Screenplays, and Short Films

Submit your Animation Story to the Festival Today: https://feedbackanimationfestival.com

 

ACTORTV SPEC Screenplay – BOJACK HORSEMAN show
September 2017 Reading
by Cameron Chapman

ACTORANIMATION Feature Screenplay – STORM DRAGON
September 2017 Reading
by Joey Curtis & Danny Klein

festival posterPEPITA & MAX, 6min, Family/Animation
WATCH Audience FEEDBACK
festival posterUKA, 3min, Spain, Animation/Family
WATCH Audience FEEDBACK

festival posterKARMA, 4min., USA, Animation/Family
WATCH Audience FEEDBACK
festival posterPERFECT TOWN, 4min., Switzerland, Animation/Fantastic
WATCH Audience FEEDBACK

festival posterONE PER PERSON, 10min., Canada, Animation/Comedy
WATCH Audience FEEDBACK
festival posterFRUIT, 7min., Germany, Animation/Experimental
WATCH Audience FEEDBACK

festival posterOUR CRAPPY TOWN, 8min, USA, Animation/Comedy
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festival posterINGENUE-ISH, 10min, USA, Comedy
WATCH Audience FEEDBACK

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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2017 – Read the best of ANIMATION Feature Film/TV PIlot Loglines & Synopsis’

Read the best of 2017 Animation Feature Film Loglines: 

THE INVADERS OF DREAMS, by Boukroufa Amara

DUE SOUTH, by Evan Schullery

IMPOSSIBLE ESCAPE, or SCAPE FROM LAB, by Hadi Hajizadeh

SUPERNATURAL SAVERS, by Miles Laca

THE KING OF THE OCEANS, by Michaela Sefler

NATASHA AND THE DEVIL, by John Dony

SUPER DUDE, by Jill Gurr and Devan Lee-Gurr

 

Read the best of 2017 Animation TV PILOT Loglines: 

GO FETCH!, by Lejon Ryan

DIARY OF A CHESTNUT, by Gena Barnett

FULTON AVENUE, by Chuk Michaels

THE ADVENTURES OF CALEB PARKER, by Joseph Okojie

US TREES, by Cybele Efremov

FRONTAL BROTHERS, by Adam Santa Maria

THE ROACHES, by Deborah Young

VOODOO TATTOO, by LM Harter

THE DYSFUNCTIONALS, by David Lester

RACCOON RANDY’S CURIOUS CANDIES, by Brian Rock

LEON CHAMELEON PI, by Janet Hurst-Nicholson

BROTHERLY LOVE, by Brian Richardson

WE’RE NOT IN NEW YORK ANYMORE, by Ashley Young

THE ADVENTURES OF ANTON, by Rosario Carlino

THE JOURNEY OF KRATOS, by Brian Richardson

CREEPYDAD, by Daniel Kitron

SPIRIT, by Laura Quigley

THE G SHOW, by Bill Maddox

HOUSE HUSBAND, by Dan Dalton

August 2017 ANIMATION Stories, Screenplays, and Short Films

Submit your Animation Story to the Festival Today: https://feedbackanimationfestival.com

 

ACTOR1st SCENE Screenplay – WEBBED
August 2017 Reading
by Robert Drusetta

ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson
festival posterDISNEY CARTOON CAMERA, 23min, USA, Documentary
WATCH Audience FEEDBACK

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning ANIMATION 1st Scene Screenplay – WEBBED by Robert Drusetta

Genre: Animation, Family, Adventure

After their Golden Orb queen is captured, a merry band of spiders must journey across foreign lands to rescue her. She is only member of the spider kingdom that can save them from extinction.

CAST LIST:

Narrator: Val Cole

Avery: Peter Mark Raphael
Aran: Ryan Yusep
Ronson: Allan Michael Brunet
Nephilia: Angelica Alejandro

Get to know the writer:

What is your screenplay about?

Webbed is about a merry band of spiders, who set out to rescue one of their own, captured by a ruthless arachnologist before she could tell her colony of a vast new land she has found, that would solve their overcrowding problem. Things immediately get complicated when a wimpy spider of the colony tags long with the “Arachnid Alliance”, desperate to prove his worth.

The Alliance use their amazing skills to battle predators, the elements and the arachnologist himself. But in the end, their own rescue, and survival of their colony, all depends on our wimpy spider.

What genres does your screenplay fall under?

Family and adventure

Why should this screenplay be made into a movie?

Webbed is a feel-good story with commercial potential on a global scale. The story is a cinematic adventure that combines classic themes, including finding a new home, a bullying victim finding his strength, as well as addressing human issues such as ethnic diversity, overcrowding, and habitat loss. It educates in a fun, positive way and is wonderfully cinematic, with each colorful battle and escape perfect for the big screen.

A Hot100 selection in the Capital Fund Screenplay Competition 2017, it has been independently, professionally assessed as “wonderfully imaginative and will be entertaining to kids and their adults…And seriously, not enough can be said about how this script makes spiders charming.”

How would you describe this script in two words?

Charming Fun

What movie have you seen the most times in your life?

I think it would have to be “Wall-E”.

How long have you been working on this screenplay?

The idea germinated in my back garden about a year ago as I watched a spider spin an intricate, 3-D (yes, 3-D!) web.

How many stories have you written?

This is my fifth completed feature spec script. I am currently polishing (do we ever stop?) my Capital Screenplay Competition 2017 Family Genre Winner “One More Sleep”, whilst working on a new, single location comedy.

What motivated you to write this screenplay?

After watching the Garden Orb spider finish its 3-D web, out of curiosity, I researched what spiders could do. The more I read, the more I thought ‘there’s fantastic material here for a great story’, using their attributes of urtication, ballooning, web design and whirling.

What obstacles did you face to finish this screenplay?

Trying to do my full-time job when creative inspiration strikes – they never seem to be mutually exclusive!

Apart from writing, what else are you passionate about?

I love music, travelling and cross country walking. I find it very therapeutic and nourishment for creative inspiration.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

After weeks of getting professional assessments from the toughest market (US), and then revising, I wanted to target a genre specific festival. I always welcome feedback; and in this instance it was encouraging, insightful and honest. This only makes a story better.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

July 2017 ANIMATION Stories, Screenplays, and Short Films

Submit your Animation Story to the Festival Today: https://feedbackanimationfestival.com

 

ACTORANIMATION TV PILOT Screenplay – CHICKEN COP
July 2017 Reading
by Bryan Cahill
festival posterSTRANGE BEASTS, 5min, UK, Experimental
WATCH Audience FEEDBACK
festival posterNOVEMBER UNDER ASHES, 3min, France, Music Video
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BODY WITHOUT ORGANS, 2min, USA, Experimental
WATCH Audience FEEDBACK

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

ANIMATION Short Film of the Day: PAIN AT THE PUMP, by Bob Canning

ACTORTitle: Pain at the Pump

Written by: Bob Canning

Type: Short Screenplay

Genre: Animation, Family, Comedy

Logline: Two aliens from another galaxy have a major disagreement with a rusty old fuel pump they think is an Earthling. The pump wins.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.

Winning TV PILOT ANIMATION of CHICKEN COP by Bryan Cahill

 Genre: Animation, Comedy, Family

Charles Poulet, a skinny, OCD, germaphobe tries to follow in the footsteps of his deceased father, Henri on the Montreal Animal Police Force.

CAST LIST:

Narrator: Sean Ballantyne
Charles: Rais Moui
Jimmy: Brandon Nicoletti
Prof. Venal: Christopher Huron
Nikolai: Neil Bennett
Dimples: Daniella Zappala
Principal Tashi: Connie Wang

Get to know the winning writer:

What is your TV Pilot screenplay about?

“Chicken Cop” is about an underdog trying to find his place in the world. Charles Poulet wants to be a member Montreal Animal Police Force like generations of Poulet Roosters before him. But, in order to do so, he must overcome his OCD, germaphobia and general lack of athleticism.

Charles soon-to-be Arch Nemesis is Nikolai Ludwig Bacteria, an E. coli bacteria engineered for world domination. Like Charles, Nikolai has something to prove; that he can is capable of ruling the world.

Why should this screenplay be made into a TV show?

Charles is a positive role model demonstrating how to use your assets to overcome your flaws. In Charles’ case, his assets include intelligence, kindness, loyalty, bravery and a “sixth sense” for detecting germs.

Along with that, all the other characters are fantastic and funny. The whole thing will play out as a serial as Charles searches out Nikolai and Nikolai moves forward with his plans to rule the world. I think it will make for a really fun ride.

How would you describe this script in two words?

Animated “Monk”.

What TV show do you keep watching over and over again?

Right now, my kids and I are watching a lot of “Gumball”. It makes me laugh so hard sometimes I can’t breathe. Watching Gumball made me realize I’ll have to change the name of Ms. Simian in my script. I am also watching “Stranger Things”.

How long have you been working on this screenplay?

My kids and I came up with the general concept about three years ago. I have mostly just contemplated the story until recently when I finally got down to work and wrote the script in about six weeks.

How many stories have you written?

.I’ve written a number of spec scripts. I do production sound work in Los Angeles and will occasionally write a script for the show I am working on. Sometimes though, it will be for a show I like. I wrote a “King of the Hill” spec that was a finalist for Warner Brother’s Comedy Workshop. My wife and I wrote a feature length script together that was well received. And, I’ve had one sale; a script titled “Johnny vs The Super Soaking Cyborgs” to the series, “Johnny Test”.

“Chicken Cop” is my first completed TV pilot script.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I don’t know what song I’ve listened to the most though I’ve probably sung the “Alphabet Song” more than any other to put my kids to bed. Only I sing it to the tune of “What a Wonderful World” as sung by Louis Armstrong. Give it a try. You’ll be surprised how well it works.

What obstacles did you face to finish this screenplay?

Time is my greatest obstacle. Being active in the lives of my wife and 2 kids, and our community along with working long production hours, finding the time is my greatest challenge.

Apart from writing, what else are you passionate about?

You’re not supposed to talk about politics, right? But, I’m very passionate about the current world political climate; children’s issues, women’s issues, global warming, privacy, religious freedom, health care, income inequality, etc. I have never seen anything quite like the current situation but try to keep positive and proactive in my efforts to improve conditions for all of us.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was excited about finally having a completed draft and looked for a contest that that would be a good fit for an animated pilot. The festival seemed like a good choice and I’m glad I entered.

Any advice or tips you’d like to pass on to other writers?

Finding reasons not to write is easy. Writing is challenging. If I can shift my outlook from seeing it as work to seeing it as a game like a giant jigsaw puzzle it makes the whole process much easier. Don’t be afraid to fail. And finally, if you’re on a roll, don’t slow down to edit. Just blurt it all out and worry about editing later.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox