How did simple film adaptions balloon into vast multi-platform franchise adaptations? And how are studios and filmmakers using transmedia storytelling to build both vast fictional worlds and brands? Why do young adult novels make great franchise source material? And are mega franchises – like Marvel, Star Wars and Harry Potter – changing film criticism? In […]
via Blockbusters: Transmedia Storytelling & Franchise Adaptations — The Film Version
Producer Bonnie Arnold counts “Toy Story” and “Dances With Wolves” among her credits, but she’s spent the last 13 years devoted to the “How to Train Your Dragon” trilogy. 30 more words via ‘How to Train Your Dragon’ Producer on Finding the Next Generation of Animators — Variety
Award-winning dynamic duo -Nelson and Xochitl Garcia-leal, are award winning independent artists that were raised and currently reside in Vancouver.
What they bring to the table is their 15+years of practice, their creative and innovative ideas, unique design and guarantee of your 100% satisfaction. With Xochitl acting as art director, producer, writer, negotiator and Nelson behind the artwork, your business plus their expertise equal to success. From understanding your requirements to idea generation and from first blue print to handing over the final copy,they take your public image as theirs.
Their creative teamwork will surely amaze you with their ideas and dedication to the craft. With years of experienced having designed some impressive business printing material previously.Their technology is up-to-date and can make sure all their client’s specifications are catered to.
The video is the backdrop for the song “Hesar” from Farnaz Ohadi’s Persian Flamenco debut album. It focuses on themes of Iranian women’s struggles, immigration, mental health and the artist’s journey when she arrived in Canada in 1990. The movie traces the journey of the artist from her home land, Iran to Canada, the angst and confusion and pain of immigration and finally choosing to put down roots in a new land.
Claire works as a freelance editor and animator ‘I enjoy all the small details in the film making process, bringing it all together & being able to create a cohesive & beautiful final film’. Claire was Awarded a Silver at the Best Design Awards for her animation ‘Len’. Claire has also worked in creating animated content for large live shows and promotional films where she mixes stop motion with motion graphics to great effect. Claire lives in Dunedin, New Zealand where she enjoys the dynamic city and beautiful coastline.
Winter’s Blight is a story about isolation, but also about how everything is connected. Through these connections, themes of compassion, loss and sacrifice are revealed. The old man and the pine cone’s lives are entwined, showing how we are all intrinsically linked to our surroundings and are all part of a bigger whole throughout our lives.
I wanted the film to be rich in detail. I wanted it to feel believable, for the viewers to feel that this is a real world, and that a lifetime was lived on this little piece of land and inside this old hut. This is a place that has been kept apart from the outside world, frozen in time, grim, cold and threadbare.
What draws me to stop-motion animation is the ability it gives you to fill your shots with textures and fine details, building a world that can be both stylised and feel as real as a live action film. With stop-motion, everything within the frame has to be handmade, allowing it to have its own style which adds a richness and cohesion to the overall feel of the design. The characters and sets have a grounding in reality because they exist as real three-dimensional objects but with a slightly surreal quality to them, and they are then brought to life when animated. Claire Campbell – Director
Winter’s Blight tells the story of an elderly man called Bill who lives alone in an isolated hut in Central Otago, New Zealand. Spring should have arrived but the winter will not relent. It is freezing and Bill has run out of firewood which he relies on for all his heating and cooking. He has cut down all of the trees on his small plot and now must cut down the one remaining tree (a large pine tree that he planted with his father as a child). Bill gets gradually more exhausted and confused, not being able to focus on his immediate task, till eventually he passes out from Hypothermia. As he drift towards his death Bill feels the warmth of his memories and the heat of a fire that may revive him.
México 1984
Audiovisual Director with focus on animation and illustration, I have more than 8 years of experience in Film, Advertising and Art projects, I currently work as a freelance for different audiovisual projects.
This project was born from my own creative process and as one immerses in looking for answers when the answer is simpler than I imagined.
It is an important project because I try to play with the role of the negative and the positive and how everything is relative.
It’s a very personal story that I made from the beginning to the music.
In technical matters I can define “An idea” as a unique handmade animation where I get involved from my soul.
“An idea” has been selected in around 50 festivals around the world.
